As I read or watch things, I often come across mentions of things that stimulate my interest, and I go down a short rabbit hole of research on my phone. Follow me if you want.
1939 World's Fair
The book Twilight At The World of Tomorrow introduced me in detail to the 1939 New York World's Fair, and it's a very good account of the Fair's history, attractions, and impact. The exhibits ran the whole gamut: educational, entertaining, exciting, thrilling, and weird.
The Fair was divided into several zones, and crowds were usually drawn to the Amusement Zone, due less to the amusements representing the theme of "The World of Tomorrow" and more to their lurid nature, with several exhibits featuring scantily clad or topless models.
Besides the rides, there was "Little Miracle Town" a community of dozens of Little People living their lives on view. Other ethnic groups were on display wearing supposedly authentic garb and performing supposedly authentic dances and rituals. Renowned animal collector Frank Buck displayed and performed with animals in his "Jungleland." Artist Salvador Dali included nearly nude models in his "Dreams of Venus" pavilion. "Billy Rose's Aquacade" featured aquatic shows starring female swimmers and Johnny Weissmuller (Tarzan). When attendance at a replica of Buddhist temple in Manchuria started to lag, promoters added nude dancers. The "Frozen Alive" stunt showcased a topless woman being encased in an ice block. "The Sun Worshippers" pavilion featured women in skimpy bikini bottoms and see through shear tops (or topless) engaging in outdoor recreational activities. In other venues, there were apparently semi-nude "voodoo" dancers and topless women wrestling with "Oscar the Amorous Octopus" (a puppet maybe? can't find much about that.
Gee, with all that going on, just in the Amusement Zone, I can't understand why the Fair lost millions of dollars.
1939 World's Fair, Part 2
The book Twilight At The World of Tomorrow introduced me in detail to the 1939 New York World's Fair, and it's a very good account of the Fair's history, attractions, and impact. The exhibits ran the whole gamut: educational, entertaining, exciting, thrilling, and weird.
Of course, with the theme "The World of Tomorrow," one would expect technology to be front and center. IBM displayed the most modern electric typewriters and an "electric calculator" that used punch cards. AT&T displayed a voder, a new voice synthesizer. An "Electrified Farm" and a "Town of Tomorrow" predicted how everyday life would be transformed by mechanization in the next fifty years or so. The General Motors exhibit, called "Futurama," was a consistently big draw as visitors were strapped in for a simulated flight over a huge diorama of the future America. Ford featured racecar drivers on a figure-8 roof-top track 24/7. Westinghouse featured "Electro the Moto Man," a 7-foot tall robot that talked and answered questions, using current slang, differentiated colors, and smoked cigarettes. New products introduced at the Fair included nylon, the Viewmaster, Scentovision, a streamlined pencil sharpener, Nimatron (the first fully constructed computer game), and the earliest television sets. FDR became the first president ever to appear on television when his opening day speech was broadcast, although there were only a very small number of sets capable of receiving the transmission.
Afong Moy
We recently saw a production of a play called The Chinese Lady, based on the real-life story of the first known Chinese woman in America. It was interesting. However, as is too common these days, the playwright was much more interested in politically correct social commentary than in history or great storytelling.
Afong Moy was born around 1820 in Guanzhou China, Canton province, and she arrived in New York City in 1834. Very few Chinese men were in the United States at the time, and she became the first known Chinese woman. Her arrival was all a marketing ploy by brothers Nathaniel and Frederick Carne, businessmen specializing in Asian trade. They likely purchased the teenager from her struggling parents and decided to make her the focal point of public relations campaign to advertise the imported goods that the Carnes wanted to sell to the American public. They generated a fake backstory claiming that she was a high-born noble woman and created a set that supposedly reflected the strangely foreign and beautiful furnishings that she would have been accustomed too. In reality, the fancy silks, vases, and furniture were just as foreign to Afong Moy as they were to the Average American. Most of the goods were examples of the wonderous goods that the Carnes imported and sold. Customers paid admission to enter the room and watch Afong Moy as she sat. From time to time during a performance, she would eat using chopsticks, sing traditional songs, explain Chinese customs, or take small walks around her chair. Walking was of particular interest because her feet had been bound from the time she was a small child. It was traditional in parts of China until the 20th century for girls to have their feet repeatedly broken and bound in order to shape them and to make them as small as possible.
Thousands of people saw her performance, and she completed a successful tour of eastern cities including a meeting with President Andrew Jackson, but after a few years, the performances stopped, and she found herself in a New Jersey poorhouse for a few years. In the late 1840s, P.T. Barnum once again put her on display in New York. Her last public performance was April 1850, and she disappears from the public record after that.
How Did The Virgin Islands Get Their Name?
Another piece of trivia picked up on the British trivia comedy panel show "Q.I.": The Virgin Islands were named Santa Úrsula y las Once Mil Vírgenes by Christopher Columbus in 1493 after the legend of Saint Ursula and the 11,000 virgins. The name was later shortened to the Virgin Islands.
For those not familiar with the story of St. Ursula, the Roman Catholic Church officially labeled the story as "fabulous ( as in a fable)" in 1969, but there is still an Ursuline order of nuns and the Basilica of St. Ursuline in Cologne, Germany, and the story still appears in the Roman Martyrology.
Ursula's legendary status comes from a medieval story in which she was a princess who, at the request of her father King Dionotus of Dumnonia in south-west Britain, set sail along with 11,000 virginal handmaidens to join her future husband, the pagan governor Conan Meriadoc of Armorica. After a miraculous storm brought them over the sea in a single day to a Gaulish (French) port, Ursula declared that before her marriage she would undertake a pan-European pilgrimage. She headed for Rome with her followers and persuaded the Pope, Cyriacus (unknown in the pontifical records, though from late 384 AD there was a Pope Siricius), and Sulpicius, bishop of Ravenna, to join them. After setting out for Cologne, which was being besieged by Huns, all the virgins were beheaded in a massacre. The Huns' leader fatally shot Ursula with an arrow in about 383 AD. No supporting evidence of the event has ever been found. The Basilica in Cologne claims to have the remains of Ursula and the Virgins as relics, but experts have found them to be a mix of bones, human and animal, young and old, perhaps from an ancient burial ground.
1st Galician Waffen SS
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