Will Sommers
Another real-life character introduced to me by an episode of "Horrible Histories" is Will or William Sommers. Sommers was a long-time court jester of King Henry VIII, and it was often said that Sommers was the only person in the English court who could get away with criticizing the King or telling him the truth without obfuscation and flattery.
Little is known about Sommers. He was first mentioned in 1535, said to have been presented to the king in 1525, and he died in 1560. He is thought to have been a "natural fool" rather than an "artificial fool." There were two varieties of jesters. "Natural fools" had some sort of mental or physical disability that became a part of their character. Of course, times and sensibilities were different then, and the life of a fool was thought to have been better than that person's life would have been outside of the court. Artificial fools were relatively "normal," but they often mimicked disability and used that along with their wit, physical comedy, or musical talents to entertain the court.
Sommers is said to have clashed with some of Henry's closest advisors, including Cardinal Wolsey and Thomas Cromwell, and even angering Henry himself, but Cromwell wrote that Sommers had a shrewd wit and often pointed out extravagances and follies of the court to the king using jokes.
Battle of the Crater
This is another rabbit hole journey inspired by the British TV show "Horrible Histories," a story I'm sure most Civil War historians well know, but I've never been a great military historian, usually bored by details of battles. The Battle of the Crater stands out though.
The Battle of the Crater took place on Jul 30, 1864, part of the siege of Petersburg, Virginia. Confederate General Robert E. Lee's attempt to take Petersburg had been thwarted by Union General Ulysses Grant, and the siege began. Lee's forces built elaborate trenches and fortifications which made it impossible for Union troops to gain an offensive advantage. Union Lt. Col. Henry Pleasants went to General Ambrose Burnside with a radical idea. Many of Pleasants' men were Pennsylvania miners as civilians, and he proposed building a tunnel underneath Confederate fortifications, placing, and detonating explosives. Burnside agreed. The tunnel was dug, and the explosion opened up a hole 170 feet by 120 feet and 30 feet deep; 278 Confederate soldiers were killed. The plan was for a Union charge to follow immediately, but the charge was a fiasco. Union soldiers became confused, with many running into the crater and getting trapped. Confederate troops regained their senses much quicker than anticipated and lined up around the crater firing downward onto the Union troops, making it a slaughter. A Confederate general called it a "turkey shoot." Union casualties ended up being 2.5 times higher than Confederate casualties. Many of those killed were soldiers of a division of the US Colored troops who were shot down by the Confederates even as they tried to surrender. It was one of the most embarrassing defeats Union forces suffered in the Civil War, and Burnside and a couple of other commanders lost their commands as a result.
Turnspit Dogs
(From British TV show "QI")
The Turnspit Dog is an extinct breed of short-legged, long-bodied dogs that was bred specifically to run in wheels connected to spits in British kitchens in order to keep roasting meat rotating. It is thought to have been related to terriers or corgis, but so little was thought of the breed that detailed records weren't kept. They were used from the 1500s into the early 1800s, when new inventions made their use redundant. The breed then became extinct.
Kitchens often alternated the dogs in shifts as they tired out. Even Sundays weren't days of rest for Turnspits, as they were often taken to church to be used as feet warmers.
Rupert Holmes, Pina Coladas, and Timothy
Rolling Stone Magazine now seems to be solely in the business of generating lists of songs and artists designed to generate debate and social media buzz. One recent list was of the "Ten Worst Songs of the 1970s," and "Escape (The Pina Colada Song)" by Rupert Holmes appears on that list. Holmes, born David Goldstein in 1947, comes from an accomplished musical family and has had a notable career in Broadway and pop music, including a couple of Tony Awards to his credit. His 1979 hit "Escape" was not his first taste of pop notoriety however.
In 1970, Holmes was a member of a group called "The Buoys." The band signed a one-single only contract with Scepter Records, but the record company made it plain that it would do nothing to promote the song. Holmes had a brainstorm: why don't we put out a single that is so controversial that it generates its own free publicity and drives sales? So, naturally, he sat down a wrote a song about cannibalism. "Timothy" tells the song of three miners who are trapped by a cave-in. When reached by rescuers, only two of the three men, Joe and the unnamed singer of the song, have survived. Timothy's fate is never explicitly stated, but there are definite tongue-in-cheek (pun intended) implications that he was eaten by the survivors.
Despite media outrage and attempts by some radio stations to ban the song, it climbed the charts, reaching #17 on Billboard's chart and #13 on the Cashbox chart in the US, and #9 in Canada. It became "The Buoys'" most successful song.
You might know the name Vladimir Nabokov. Nabokov was an acclaimed Russian-born novelist (1899-1977), probably most famous for his novels Lolita and Pale Fire, considered by many to rank highly among the greatest works of 20th century literature. I've never been interested in reading his work, but I was well aware of him. However, I had no idea, until recently watching the British panel quiz show "QI," that he was also one of the world's most highly regarded lepidopterists (butterfly experts) and that butterflies are important symbolically in his writing and as a common motif.
Nabokov was born to a very wealthy and prominent Russian noble family, forced to flee during the Revolution. He began writing and became a professor of Russian literature, living and teaching in various places in Europe and the US. He arrived at Cornell University in 1948, where one of his students was future Justice Ruth Bader Ginsburg. In the early 1940s, he had volunteered as an entomologist at the Museum of Natural History, having already developed his interest in butterflies. While teaching at Wellesley College, he served as the de facto curator of lepidoptery at Harvard's Museum of Zoology. He wrote and pursued butterflies when he wasn't teaching. Following Lolita's success, he gave up teaching for writing and for butterflies. He published several scientific papers on lepidoptery, and his work was highly influential in butterfly taxonomy. His specialty was "sexing" butterflies. He never bought into the idea that species could be distinguished by chromosomes, and followed the traditional lepidopterist means of distinguishing by genitalia. He spent 6-7 hours a day, 7 days a week, bent over a microscope examining butterfly genitalia, causing permanent damage to his eyesight. Harvard still owns his cabinet of blue butterfly male genitalia, while the bulk of his butterfly collection is in a museum in Switzerland.
Madalena
I was introduced to the story of Madalena in the book On Savage Shores, an account of a little discussed part of history, the 16th century travels, voluntary and involuntary, of hundreds of thousands of indigenous Americans to Europe.
One of those travelers was called Madalena by the Spanish; we don't know her indigenous name. Madalena was member of the Tocobaga society of Tampa Bay. The Tocobaga were one of numerous Florida peoples at the time of Spanish contact. Within 150 years of contact, almost none of these peoples existed due to disease, murder, and enslavement. During the 1700s, the survivors coalesced with remains of northern groups forced south by Europeans and formed the Seminoles.
Madalena was captured by Hernando de Soto during his 1539 rampage across Florida and the southeastern US before his death at the Mississippi River. She was sent to the Florida Panhandle to become a slave in the home of Soto's wife, Isabel de Bobadilla. There she scrubbed pans, fetched water, and did whatever else was needed from a slave or servant living in that household.
Gonzalo Guerrero
I was introduced to the story of Gonzalo Guerrero in the book On Savage Shores, an account of a little discussed part of history, the 16th century travels, voluntary and involuntary, of hundreds of thousands of indigenous Americans to Europe.
Guerrero was a Spanish sailor who was shipwrecked in 1511 off the coast of Jamaica, along with 15 other sailors. The marooned men fashioned a raft and set sail, landing on a beach on the Yucatan Peninsula 13 days later, where they were immediately captured by Mayan warriors. Some of the men were killed, and the others, Guerrero included, were enslaved. Guerrero became the property of the local governor, and he demonstrated great military prowess, earning a high rank as a commanding officer, but remaining in the service of the governor. In the process, he fully assimilated into Mayan culture and married a high-born Mayan woman, perhaps a daughter of the governor, and he fathered and raised some of the first mestizo (mixed European and Native American ancestry) children in the Americas.
When Cortes landed in Mexico in 1519, he immediately heard of a couple of Spaniards living amongst the indigenous and sent messengers to find them and invite them to join his expedition. Guerrero refused, citing his allegiance to his family and to his Mayan lord. Over the next 13-17 years, Guerrero led Mayan warriors in battle against Spanish forces, successfully defending his home city and defeating the conquistadors in several engagements. Accounts differ on the year, either 1532 or 1536, but they agree on Guerrero's demise; his nude and tattooed body was found among the Mayan dead after a battle. While there are questions and discrepancies in the story of Guerrero's life, he has become a folk hero in Mexico and Central America, appearing as character in literature and popular culture and the subject of paintings and monuments.